Anonymous Scribe

There’s a wonderful and truly open-minded NPR interview with the writer of “Anonymous”, John Orloff, that you can read, or listen to the full conversation HERE.

____________________________________

Orloff argues that it’s a reasonable notion in a world where aristocrats weren’t expected to sully themselves in the disreputable — and occasionally politicized — world of the theater.

“We need to look at this through the lens of the 16th century,” Orloff argues, “and not the 21st century, where we worship celebrity. They didn’t. Quite the opposite: Celebrity was something to be avoided at all costs.”

De Vere, son-in-law to one of Queen Elizabeth’s most powerful ministers, and thus privy to state secrets, would have been particularly conscious of the risks, Orloff says.

“Playwrights had their hands cut off if they got in the way of the government,” Orloff says. “It was actually quite a dangerous act to write a play that might annoy or anger the powers that be; it was a very dangerous thing to be a playwright in 1600.”

____________________________________

Highly recommended!

“Blows the Bard to Bits”

There’s a fantastic review by Harry Haun of the new movie Anonymous up at the pre-eminent theatrical website Playbill.com that is most definitely worth the read. To quote a bit from the piece:

____________________________________

This authorship question has been raging off-screen for centuries but more frequently and more intensely for 150 years. It’s hardly the majority view, mind you, and most academics give it less credence than the [Francis] Bacon theory and the [Christopher] Marlowe theory, but this is the first time the “Oxfordian theory” has been translated into a screenplay that boldly presents itself as fact.

“It’s not our theory,” insists screenwriter John Orloff, who has gone where no theorist has gone before (unless you count the established, company-line “Stratfordians,” who have always held that Shakespeare wrote his own stuff).

“Some of the people who thought Shakespeare didn’t write the plays are Mark Twain, Henry James, Sigmund Freud — Walt Whitman became obsessed with it — a lot of writers, and I don’t think that’s coincidental because writers understand how you write. It’s a big question in this case because writers tend to write what they know. They write from experience. Mark Twain’s whole point when he wrote an entire book about why he didn’t think Shakespeare wrote the plays was that he [Twain] couldn’t have written about the Mississippi, had he not been a Mississippi boat pilot and known these people and had these experiences. His thesis was: ‘No way can you can convince me, Samuel Clemens, this boy from Stratford could write about all these noblemen and the intricacies of court and the metaphors of falconry and lawn bowling and tennis and medicine and law, if he hadn’t been that person.’

“There is a reason why four Supreme Court Justices don’t think William Shakespeare wrote the plays, and the reason they don’t think he did is that the law in Shakespeare is incredibly accurate, 16th-century law. In fact, for a couple of hundred years, people thought William Shakespeare must have been a lawyer or law clerk. We don’t think that anymore because there is no record of him going to law school.

“We didn’t make a documentary. We made a movie, and we can’t say it more clearly than the opening moments where we have an actor on a theatre stage [Derek Jacobi at the Broadhurst] introducing the movie, saying it’s a piece of theatre. This is a movie about the intersection of art and politics. It’s about: ‘Is the pen mightier than the sword?’ We’re just using that story to talk about that bigger truth.

____________________________________

Read more HERE…

Was Shakespeare a Fraud?

There’s a new article in The Daily Beast on the Shakespeare Authorship Question that everyone might want to have a look at. You can read it HERE.

Welcome to the Shakespeare Authorship Roundtable!

The Shakespeare Authorship Roundtable is a global forum for the study of the Shakespeare canon, the Elizabethan theatre, and the social and political life of the Elizabethan period, with emphasis on an open-minded exploration of the Shakespeare authorship debate.

With open minds and good humor, we’ve been searching for answers for over 25 years. We are curious about them all, but the Roundtable does not subscribe to a particular theory of authorship.